Thursday 24 January 2008

Photo Shoot 23/01/2008





The image of the floor below was taken using only one light and soft box. The idea of using the soft box was to soften the output of light, preventing harsh shadows forming. The patterned kitchen floor seen here in the image has been here since I was a young child. If you look closely you can see that the floor has seen better days. The wear and tear in a specific area of the floor carries history. What interests me is wondering how many footsteps it must take to wear down the floor.































Thursday 17 January 2008

Photo Shoot - 16/01/2008







The image pictured in the frame is a family portrait and very much a historical record of when we as a family were much younger. Although I could quite easily use flash unit linked to my camera, I decided to use a flash head with a diffuser. I positioned the light above the subject to avoid any flash reflecting off the glass in the frame.



I do like the composition of this image. The first thing I see is that the flash has not reached the corner of the chair and has created shadow. One other idea I was comsidering as not to use any flash heads at all...only the tungsten lighting found in the side table lights etc. This would have created a more homely feel. To help dress the scene I should have also had one of the many family portraits in sho on the side table.



One of the main reasons why I decided to photograph my grandparents house was because the interior of the property has taken on very little change. The furniture, fixtures and fittings are all original and visiting my grandparents almost feels as though you are stepping back in time.



Compared to the previous image and after adjusting the lights, a vast improvement has been made. Comparing both images the shadows on the left hand side of the armschair have now dissapeared and the shadows on the back wall have been softened. As a photographer I was able to analyse my image, look at how I could improve the the image and implement any changes. Should I capture the same image again I would like to make further changes. For example, I would have the side table light and electric fire switched on, the curtain on the left hand side drawn and reduce the the amount of light from the flash heads. Another possibility would be to capture the same image at a later time of day.



Above is an example of what my image was going to look like. As you can see there are still shadows that I would like to get rid of. Rearranging the lights and filling in the areas where light is not reaching will resolve this.



As mentioned here is the image showing how I had my lights positioned. As well as using flash heads as my source of light, natural light from the windows was also used to my advantage and to add warmth to the room I introduced one tungsten light. With regards to the use of the tungsten light I do question whether this has made much differnece to the image or whether I could have improved it by using an amber gel?



Before setting up the lights I decided to photograph the room to show how dull, boring and flat it really was before I introduced artificaal light. Following on from there I then photographed how I had my lights positioned so the viewer can understand how I achieved the result and finally is the final product after making minor adjustments.

Monday 14 January 2008

Guide Numbers

Portable flash units designed to be used with small-format and medium format cameras are given a 'guide number' (GN) by the manufacturers. This denotes its potential power output. The guide number is an indication of the maximum distance at which the unit can be used from the subject to obtain an appropriate exposure. The guide number is rated in metres at 100 ISO and an aperture of F1. Because very few photographers possess an F1 lens the actual maximum working distance is usually somewhat lower than the guide number would suggest.

A unit given a guide number of 32 could correctly expose a subject at 16 metres using an aperture of F2 (32 divided by 2 = 16). If the lens was changed to one with a maximum aperture of F4, the maximum working distance would be reduced by eight metres.

It therefore follows that if the guide number of the unit is known the correct exposure can be determined by dividing the guide number by the working distance. The resulting figure is the aperture required when the flash is turned to manual full power (photocell effectively switched off). For example, a flash with a guide number of 32 used to expose a subject four metres away will require an aperture of F8.

Calculating guide number, distance and apeture.
Distance from subject x indicated aperture (MIE) = Guide number

Guide number / Aperture = Effective working distance

Guide number / Distance from subject = Correct aperture

Photographic Lighting


Fill-flash off ceiling balanced to F8 - John Hay

Taken from Child & Galer (2005) the following example shown aboveis a great example of studio lighting used on location. In the book by Child & Galer, The client has requested the lighting enhances the space and balances ambient interior and exterior daylight. The photographer decides upon one exposure, balancing the exterior, interior and introduced lighting. The camera/ film is balanced to daylight. Exterior daylight will be overexposed to reduce the orange/ red colour cast of domestic tungsten lighting.


Umbrella flash in hallway balanced to F8.5


Ambient light - daylight and tungsten - incident - 1 second @ F8.5

I decided to use the following image to demonstarte how lighting can transform a room which is of low lighting and dull to something fresher, brighter and much more natural. One idea I would like to explore is to photograph newly installed kitchens using simple lighting set ups, highlighting key areas. Gaining access to photograph new installed kitchens is only a phone call away. My brother who works for himself and is a kitchen fitter has approached me and asked if I would take a series of images for his website. The use of lights literally injects life into the final product.

Thursday 10 January 2008

Leaflet Idea









On my way to college today I was handed a business card/ leaflet. I found the leaflet informative, fun and a great of communicating to a target audience. With this in mind the idea of a producing a leaflet similar to this would be a great way of promoting a photography service or even my my own work to prospective employees.

The design and presentation of the leaflet will be similar size to that of a standard business card, however unlike any other business card, our business card will fold out and become an A4 promotional leaflet. The benefits from this kind of design, is that it can be handed out at networking events, it fits easily in to a wallet and when the business card is unfolded it then becomes a leaflet and will hold great well sized images accompanied with text. Positioned on the front of the business card will be the name of the studio (e.g. PAC Photography (Phil, Adam, Chris) and business logo and on the back of the business card will be contact names, contact number, website and email address. The dimensions of the leaflet will be 300mm x 230.4mm and will be divided into six vertical columns and three horizontal columns. The dimensions of the business card (Front and back) will be 85mm x 55mm.

Here is an exmaple of what the leaflet may look like. I'm no graphic designer so I would probaly have this professionally designed.

Wednesday 9 January 2008

Costings (£)

Petrol - £30
Insurance - £7.93
Time - (hours) 11.5

Tuesday 8 January 2008

Books Of Interest



Taylor-Haw, C (2007) The Studio Photographer's Lighting Bible, Rotovision, Switzerland, ISBN978-2-940378-23-4



Prakel, D (2007) Basics Photography Lighting, AVA Publishing, Switzerland, ISBN 978-2-940373-03-01



Child, J & Galer, M (2005) Photographic Lighting, Essential Skills, Focal Press, Oxford, ISBN 0-240-51964-7

My Proposal

What I intend to do is document my Grandma and Grandad home in Manchester. The reason for the choosing this particular location is due to the contents of the property. For many years my Grandparents have not changed their way of living, nor adapted their style of living to fit in with others. Furniture dating back as far as the nineteen forties and fifties is still quite evidenn.therefore I feel it would be intersting to document the type of furniture that can be found as well as the ornaments and anything else I may learn to discover. I shall be treating the location shoot the same as I would if I was in the studio. Therefore I will be taking various types of lighting kits with me including tungsten lighting and a couple of range kits.

Images Of Interest



www.lambrosphoto.com



www.lambrosphoto.com



www.radugrozescu.com



www.radugrozescu.com



www.jameskingphotographer.co.uk/



www.jameskingphotographer.co.uk/



www.jameskingphotographer.co.uk/



www.guy-farrow.co.uk/



www.guy-farrow.co.uk/



www.guy-farrow.co.uk/



www.guy-farrow.co.uk/



www.guy-farrow.co.uk/



www.guy-farrow.co.uk/



www.guy-farrow.co.uk/